I have always been a bit reluctant to visit the London Transport Museum
because of the high cost of an access ticket and the inability to use a
national museum pass to get through – perhaps tight of me but hey – museums
wages! So this is perhaps a bit of a different post for us, usually we
only review big central London museums in terms of their current exhibitions.
So what’s it like for a museum blogger to visit an institution for the first
time?
For one, remember that here at The Ministry we tend to assess museums
through museum worker eyes, looking at a few important factors – the unusual
display of objects, their conservation and adherence to familiar guidelines,
the accessibility of texts and what we find personally humorous or amusing.
We’re going to moan about a few things that may seem trivial but as a museum
professional could seem like the end of the world.
First off a bit of history the London Transport Museum is situated in
the Victorian home of the Covent Garden flower market, the infamous selling
space for flowers, herbs, fruit and veg has been well documented in history
through literature (My Fair Lady!) in 1980 the site became the home of the
London Transport Museum. A collection formed on the preservation of two
Victorian Horse buses and an early motorbus by the London General Ominous
Company in the 1920’s, the collection grew and the museum had humble beginning
in its display in a bus garage in Clapham in the sixties, before opening in
1973 as the London Transport Collection in Syon Park.
Opening in Covent Garden in 1980 and undergoing a major refurbishment in
2005-2007 the museum now operates as the London Transport Museum and its
collection fills the site. Upon entering you are invited to clamor into a lift
and ‘go back in time’ and excitedly visit and climb on board the
collection of large and small buses trams and steam trains and sit with a whole
bunch of creepy mannequins to sense what early transport was like in London.
The London Transport Museum has so much to offer in terms of
discussing the history of London and can almost be a continuous seams of
thought trundling through modern London. The social history of transport, the
workers, the politics and all intertwined and the museum offers a glimpse into
many of these areas.
The temporary exhibition Designology explores the complete
and integrated approach to design taken by TFL those Londoners and tourists
have grown to love. Mind the Gap and other iconographies are instantly
recognisable and widely reproduced on a range of souvenirs, influencing fashion
and artists and vice versa. The consistent and strong design was spearheaded by
Frank Pick who hugely influenced the clear branding that we see everyday. In 1916 he commissioned the calligrapher Edward Johnstone to design the
typeface for the underground often referred to as ‘London’s handwriting’ and
even now 100 years later is seen in an adapted from across signage, maps,
leaflets, posters in the city.
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