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Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts

Tuesday, 1 September 2015

The history of being Well: an immersive theatre experience

It's 7pm on a gloomy Bank Holiday Monday evening and the Ministry of Curiosity has trekked to the far East- Dagenham East that is, in search of a history of medicine adventure. After a few failed attempts, we find ourselves in front of an old factory building, the former May and Baker pharmaceuticals factory. Organised by Creative Barking and Dagenham in partnership with the local community, we embarked on an immersive theatre experience through the building an the history of chemicals production in East London...

As a historian of medicine, I was incredibly excited for our visit to Well. Theatre, performance, exciting London spaces, and medicine - I mean honestly what more could you want! Although a few minutes in, I honestly did think to myself - oh lord, what have you hipsters done now? Spooky actors uplit by florescent bulbs, ominously pouring one phial of coloured water into another isn't necessarily how I would communicate the history of a pharmaceutical factor to the public. Walking down a cooridor which looked more or less like it had been decorated with print outs from Wellcome Images, I wondered to what extent the theatre directors had actually spoken with any pharmaceutical historians.

However, as the performance continued, I started to change my mind about the experience. For me, the turning point was really the scene in which the participants watched a factory employee prepare for their day, with complete health and safety gear, while listening to an oral history about the personal experience of being a part of the May and Baker family. It occurred to me that this project wasn't really about the history of medicine or pharmacy, it was about people's relationship with this building and their sense of purpose of what they were doing (Sanofi specialised in cancer-fighting drugs). And that was when I really started to enjoy myself. Entering an area mocked up as a ball-room with former employees waltzing in memory of all the Christmas and going-away parties of the past, I almost cried. 

The concept behind Well is absolutely fantastic - engaging members of the local community, and former factory employees, in an exciting project that allows them to share their experience of and love for the Sanofi factory. The building itself is absolutely worth the price of admission - winding your way through the chemical stores, factory floor and offices is absolutely fascinating - an incredibly rare peak into the spaces of 20th century science. 

To truly experience Well, you might need to put aside some of your more pedantic preconceptions (why is this an Ebola ward, there was no Ebola outbreak when this factory was open, and they certainly never treated patients here) and focus instead on the incredible emotional investment that the local people have made in the factory building. Along the way there are certainly touches of pure genius, a lone shower of pills in an echo-y corridor has an absolutely amazing effect. But really it's the people, the participants, that make it all worth while. 

Well is only open until September 6th - but believe us, it's worth making the trip East! For more information on opening times, tickets, and booking click here

Tuesday, 21 January 2014

Tea Chests to Theatre – The Cutty Sark Studio Theatre


This morning I was lucky enough to attend the Cutty Sark Michael Edwards Studio Theatre preview and see how the lower hold converts from a room of child friendly activities, introductory videos and piles of tea chests to a stage fit for caberet. Commissioned by its namesake the Studio theatre has been hiding within and beneath the tea chests of the ships lower hold since the re- launch of the world famous tea clipper in April 2012. The stage had already been set for our arrival but we were soon so to see it swiftly taken down by a three burly men and one power tool to transform the space back to a gallery.

Director of the Museum Richard Dougherty sees that this transformation of the ships lower hold into a theatre is a new was to re-imagine the space that once was occupied by cargo. With the striking backdrop of the original 1869 steel girders and planks of wood the set provides a new form of live interpretation. Instead of role-playing actors, comics will renovate a normally cramped and dark space into one of light entertainment, reaching out to new audiences and allowing visitors to jump aboard the ship out of hours – plus they’ll even be serving beer at the ‘Even Keel’ Bar beneath the ship.

The Studio Theatre opens on the 29th January and across the opening fortnight acts like Ross Noble and Matthew Stirling will be taking to this very quirky stage.

 All events can be found on The Ministry’s calendar of events page

Find out more about the Cutty Sark:
http://www.rmg.co.uk/cuttysark
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