‘A museum object is not just for Christmas it’s for life’-
Nick Merriman, Director of the Manchester Museum and Trustee of the Collections
Trust
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The Ministry enters the digital age... |
'Museum and gallery collections in the UK are a noble
kleptomania’- Sir Peter Bazalgette, Arts Council England
We think these quotes from two of our sectors' most
distinguished members summarises the two day marathon that was Open Culture 2014
pretty accurately. It was a conference that was inspirational, insightful and
more than a little bit silly. In a morning's session you could go from listening
to the need for revised asbestos policies and the ins and outs of an
international loans programme, to Nick Poole, CEO of the Collections Trust, cracking jokes about his crazy trips to visit museums around the world (including
checking in to his hotel room late at to find it occupied by one very
frightened Portuguese woman). You could learn everything you needed to know
about marketing your collections from the Director of the Beamish Museum and
then play with the latest
3D technology from
Inition. Basically, Open Culture
was some seriously museum-y fun.
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Terri gets scanned into the 3D world |
It’s difficult to bring back a field report from OpenCulture
because there was simply so much to see and do. We heard about the most
innovative projects in the sector at the Collections Trust Collections
Management Awards. We played with new collections databases. We had ourselves scanned in 3D. We talked managing
risks, digital skills and collections rationalization and disposals. We even
had a conference wide debate about whether our museums should collect or die.
After some heated debate, it seems that contemporary collecting is our way
forward. As Nick Poole pointed out, we wouldn’t want the museum-goers of the
future to think the period from 1790 to 1970 was the only time worth learning
about. Don’t we have an obligation to collect and preserve our world now rather
than just looking back to the Victorians? It was an eye opening point for the
Victorian-obsessed Ministry of Curiosity, but a fair one.
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Exhibitors and pastries galore (plus tote bags) |
We at the Ministry had our own little part to play, hosting
the first ever Open Culture Unconference. Delegates seemed a little hesitant to
get up and talk for 10 minutes with only a few hours to prepare, but we were
lucky enough to present some absolutely amazing speakers. Lucy Douglas, a
Doctoral Research from Falmouth University, told the audience all about her
Hayle Oral History App and how she was using sound to create a magical and
immersive experience of Hayle history. Oral histories, archival images and
sounds all help to bring a flavor of the historic area which is rapidly being
lost. Peter Hanecak of EEA opened our eyes to open data and encouraged all
museums to consider their open data infrastructure. Monika Lechner of Dutch Digital Heritage pushed the conversation even farther, exploring what museums will look like in
the
post-digital world. Not contented to just go on your smartphone for more
information from a QR code or interactive activity, the objects will reach out
to you. Galleries will create customized experiences which blend reality and
the digital world.
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The Mesch Project is already developing the interactive plinth for a post-digital world |
With so many sessions to see, we are sure all the attendees
walked away with new ideas to apply to their own work. Whether its rethinking
your database metadata or working towards international partnerships, Open
Culture really pushed us to think about how we can put our collections to work.
We also have to say, in deference to the conference organizing gods at the
Collections Trust- the food was amazing. You know how we whine about
canapés in
the museum sector? There was no skimping here. So if you want to learn how to
pimp your collections review while drinking wine and listening to Nick Poole
impersonate Cheryl Cole, you’d best get to next years conference!
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Not a bad venue to spend a few days... |
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