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Showing posts with label 2014. Show all posts
Showing posts with label 2014. Show all posts

Monday, 17 November 2014

The Ministry of Curiosity presents the Social Media Manifesto

We believe that social media is a core function of the modern museum. Museum social media is no longer a subsidiary or peripheral activity; it is at the heart a museum’s mission to engage the public with its collections, exhibitions and events. As such, social media should be allocated the personnel and resources it needs to be responsive to its audiences needs at all times and a strategic part of the museum’s development.


Know your audience

It is important that your museum understands its public in order to plan its social media output. Cater your content and voice to meet the needs of this community. It must be acknowledged that no one online audience is the same as another, something already understood at the level of exhibition design. Therefore, digital audience research, an understanding of the norms of social media platforms and the communications they foster must be an essential part of building a social media strategy.

Have fun!
While social media must be tailored to your key digital demographic it must also be playful, experimental, accessible and, at times, irreverent. A playful tone encourages your audience to interact with you on a human level; humour goes a long way to fostering a community. Never doubt the power of a well-placed pun.

Appeal to your followers’ emotions
Social media has the power to reach beyond your gallery walls and straight to your followers. Appeal to their emotions, their interests, and their passions. Museums were founded on the basis of curiosity, discovery, and the thirst for knowledge and your social media stream should follow this ethos as closely as possible. Cultivate the ‘a ha’ moment for your followers.

Use a bit of common sense
Never forget that common sense is essential to any public engagement, online or otherwise. Consider the sensitivities of your collections, be aware of public feeling, and trust your instincts (and your staff) to moderate content appropriately. Social media isn’t rocket science, its just people talking to people.

Remember the museum staff…
Museum staff are an invaluable resource throughout your institution and their everyday experiences can offer an insider’s perspective to your institution. Encourage them to tweet, share their projects and their personalities. Museums are the work of not one but many.

… but also the institution itself
Let’s be honest, museums are the celebrities of the heritage world, you don’t want to lose your caché. Let your staff engage with its audience from beg; but don’t forget your museum’s educational and authoritative function. The museum should still be a distinct entity with its own personality and cultural influence. Besides, who doesn’t love receiving an official tweet back from a verified museum account?!

Be open to out of hours work
So who are these intrepid people, creating this online experience for your visitors? They are social media stalwarts, they are your front line, and they should be remunerated as such. If great social media must be responsive, then museums need to be able to respond. And yes that does mean during the evenings and weekends. Pay your staff for out of hours time, let them know their work in engagement is important and appreciated and your museum will definitely benefit as a result.

Work with your collection
Great social media relies on an understanding of your brand’s authentic voice so don’t forget the essential role of your collection in building this. Your collections are what brings people through your doors and your social media must work with them; use them to your advantage!

But also look outward…
Museums do not stand alone. The stories they tell link into local narratives about place, larger ideas about collections and associated heritages, and occasionally connect into the press agenda. Don’t think about heritage and media providers as your competition, but as vital contributors in the stories you want to connect with. Work with them, share each others content, and have a conversation about it.

To create a unique and powerful voice, a museum must consider all the points of this Manifesto. Your staff, audience, collections, and market research are what come together to create your authentic online presence.

Now go forth and make your museum’s social media essential, strategic, and above all, fun!

With assistance from:


Ben Earle, Jenny Kidd, Rachel Cockett, Judith Durkin and the delegates of the Ministry of Curiosity’s Social Media Manifesto Workshop, Museums Association Annual Conference, Cardiff 2014

Monday, 14 July 2014

Open Culture Field Report

‘A museum object is not just for Christmas it’s for life’- Nick Merriman, Director of the Manchester Museum and Trustee of the Collections Trust

The Ministry enters the digital age...





'Museum and gallery collections in the UK are a noble kleptomania’- Sir Peter Bazalgette, Arts Council England



We think these quotes from two of our sectors' most distinguished members summarises the two day marathon that was Open Culture 2014 pretty accurately. It was a conference that was inspirational, insightful and more than a little bit silly. In a morning's session you could go from listening to the need for revised asbestos policies and the ins and outs of an international loans programme, to Nick Poole, CEO of the Collections Trust, cracking jokes about his crazy trips to visit museums around the world (including checking in to his hotel room late at to find it occupied by one very frightened Portuguese woman). You could learn everything you needed to know about marketing your collections from the Director of the Beamish Museum and then play with the latest 3D technology from Inition. Basically, Open Culture was some seriously museum-y fun.


Terri gets scanned into the 3D world
It’s difficult to bring back a field report from OpenCulture because there was simply so much to see and do. We heard about the most innovative projects in the sector at the Collections Trust Collections Management Awards. We played with new collections databases. We had ourselves scanned in 3D. We talked managing risks, digital skills and collections rationalization and disposals. We even had a conference wide debate about whether our museums should collect or die. After some heated debate, it seems that contemporary collecting is our way forward. As Nick Poole pointed out, we wouldn’t want the museum-goers of the future to think the period from 1790 to 1970 was the only time worth learning about. Don’t we have an obligation to collect and preserve our world now rather than just looking back to the Victorians? It was an eye opening point for the Victorian-obsessed Ministry of Curiosity, but a fair one.

Exhibitors and pastries galore (plus tote bags)
We at the Ministry had our own little part to play, hosting the first ever Open Culture Unconference. Delegates seemed a little hesitant to get up and talk for 10 minutes with only a few hours to prepare, but we were lucky enough to present some absolutely amazing speakers. Lucy Douglas, a Doctoral Research from Falmouth University, told the audience all about her Hayle Oral History App and how she was using sound to create a magical and immersive experience of Hayle history. Oral histories, archival images and sounds all help to bring a flavor of the historic area which is rapidly being lost. Peter Hanecak of EEA opened our eyes to open data and encouraged all museums to consider their open data infrastructure. Monika Lechner of Dutch Digital Heritage pushed the conversation even farther, exploring what museums will look like in the post-digital world. Not contented to just go on your smartphone for more information from a QR code or interactive activity, the objects will reach out to you. Galleries will create customized experiences which blend reality and the digital world.

The Mesch Project is already developing the interactive plinth for a post-digital world
With so many sessions to see, we are sure all the attendees walked away with new ideas to apply to their own work. Whether its rethinking your database metadata or working towards international partnerships, Open Culture really pushed us to think about how we can put our collections to work. We also have to say, in deference to the conference organizing gods at the Collections Trust- the food was amazing. You know how we whine about canapés in the museum sector? There was no skimping here. So if you want to learn how to pimp your collections review while drinking wine and listening to Nick Poole impersonate Cheryl Cole, you’d best get to next years conference!

Not a bad venue to spend a few days...

For more on what went down at the conference visit: http://www.collectionstrust.org.uk/openculture2014

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